after "1 image 1 minute" - revisiting one photograph at a time and it's impact on the viewer.
Wednesday, November 30, 2016
E'sha Johnson
Gaskell Anne, "Wonder" Alice in Wonderland
1997
As I looked at her photo, how was it inspired me and really connected to the image which is meant a lot behind a story, because I had similar experience with it. I noticed how she was so lonely, because there isn't nobody around her. How sad is she sit so alone on the grass. How she was played with the pinkly beautiful flower though nobody playing with her. She wonder why nobody isn't going to talking to her, because she is deaf? She felt so heartbroken, sad, and lonely. It's because she doesn't have a friends. She don't want anyone to look in her eyes which is showed her emotions, a sad in her eyes. She just want to be happy, so she could have a friends. She wished anyone could look at her as human and not as deaf girl.
Isaac Martinez
about 1868 San Francisco
Alma De Loera
Giovanny Chavez
Amy Samrittinanta
Lee Friedlander, "Newark, New Jersey"
1962, Gelatin-Silver Print
I pick this image as my inspiration picture because It shows emotion and a certain event that It happening around that time in Newark. The picture represents an emotion that can be described as worry or observing people out on the streets. I like how the older man and a boy have the same feature that can be described as a curiosity. This picture somehow describes the American Society through a simple image. In this picture, It is filled with Picture or a certain sign that can perfectly describe the American Society. Within the picture framed of the little boy, and the older man on the bottom right there a sign that included some American food like fries, burgers, and of course Coca-Cola. It also shows great details of the emotion that show on their faces can either be view as curious or amaze by the people who are out on the street. The main things that I see in this image are mainly typical American food. As I said before this picture include many facts about out American Society back in the 60's.
Andrea Escobar
Jack Leeper
Jack Leeper
Salvador Dali (In Voluptas Mors)1951, Black and WhiteI selected this photo because it shows off Salvador Dali's weirdness in a beautiful way. When you look at this photo you see the shape of a skull but when you stare at it for a second you realize that its actually women's bodies that form the skull. I think that it is beautiful how the women bend and shape their bodies to form that image of a skull. It's creepy and weird but at the same time its beautiful and shows great skill. Having Salvador Dali pose on the side looking puzzled at what's going on also brings another element to the photograph which to me seems like he is almost thinking to himself what did i create. It seems like he looks like he did not know that this photograph was going to come out this and yet it's perfectly dark and mysterious that it ended up being so beautiful.
Taylor Dunn
Karen Gentry
Vanessa Rugeles
Lana Tahmizyan
1957, 35mm Camera
Alex Lopez
Selina Nnadede
Sara Stallings
Tonia Soto
Angiee Mendez
Isabel Cruz
Monday, November 21, 2016
Bailey Bast
Bailey Bast
Alfred Stieglitz "Georgia O'Keeffe—Hands and Horse Skull" 1931
Silver Gelatin Print
Stieglitz created a series of images of his wife Georgia O'Keeffe, specifically focusing on her hands. He focuses on O'Keeffe's hands because she is a painter, and her hands are crucial to her art. Rather than creating a portrait of what a person looks like, Stieglitz shows who a person is, focusing on gestures, emotions, and expression to create an image of the life of the subject. This particular image drew my attention because of the contrast between dark and light, soft and hard. I enjoy the calmness of her hands juxtaposed to the ideas of death and decay. Her hands create life, but in them she a dry, cracked image of death. In a way, her hands both evoke her humanity but their shape appears somewhat inhuman.
Andres Rodriguez
Adam Wong
Adam Wong
Carlo Bellavia, "MENDOCINO, CALIFORNIA: 1"
2013, Digital Image
Carlo Bellavia was born in 1971 in Palermo, Italy. He studied in both Europe and in the United States. His work is consists mainly of nudity and natural ideas and looks. His art usually has mystery-esque tone. Most, if not all of his photos are filtered in black and white or sepia (brown tone).In this piece, the sepia color/tone added in by Bellavia enhances the audiences' perspective on the detail and sharpness of the clouds, along with the contrast of what would be the different shades of grey.
Liliana Claros Del Cid
Liliana Claros Del cid
Alfred Eisenstaedt, "V-J Day in Time Square"
1945
I selected this image because it is such an iconic image and I was intrigued by it. The photographer behind this image is Alfred Eisenstaedt who wanted "to find and catch the storytelling moment". As World War II ended in 1945, Eisenstaedt was in search for that moment that would capture him and then this moment occurred as he roamed the streets of Time Square. Looking at this image it represents more than a random moment captured, it represents emotions of joy and relief of such a day in history. It also shows with passion what was being felt of the news that sad times were coming to an end. In this image the overall feeling is joy and passion. Even the people around them seem to be pulled in by the kiss between two strangers. As the celebration was occurring around them it seems to be frozen in time. With the image in black and white it gives the image a strong impact to the viewer with the nurses' white uniform in contrast to the sailors' dark uniform. As well as the background being blurred making them the center of attention with sharpness. In the image movement is also captured, by the nurses hand being slightly blurred by the sudden pull from the sailor to kiss her.
Liana Khachatourian
Miriam Romero
Miriam Romero
Yesenia Ruiz
I have picked this photo because a suttle awe feeling came upon me after staring for a while. I see a fence, and it fascinates me how much power human gives to these creations. We divide land as if its ours. The idea of creating barriers, to own, unclaimable land with only barbwire and wooden sticks reminds me of child's play. I see that we are territorial and that we have not learned to simply share the land we stand on, but rather we have learned to create lines to distance our self from one another. We create different worlds within borders. Sadly this is my normal.
Maria Montiel
Maria Montiel
Lee Friedlander, "New City, N.Y."
1971
This image caught my eye because it reminded me of a photograph of myself spontaneously taken by my ex-boyfriend. The woman in the image is Lee Friedlander's wife, who also happens be named Maria. She attempts to cover block off the camera with her arms, however, she does not come off as angry or upset. I wonder if there were multiple attempts at taking this photograph, but when I first saw it, I thought this was just a quick impromptu snapshot of a playful, intimate moment. I think it is very brazen to share an image like this with the world, because this image is not just about the subject in the photograph, it shows insight about Lee and Maria's relationship. I like this image the most because of its authentic intimate nature that could not be duplicated with a different subject.
Kei Shinhara
Kei Shinhara
Sunday, November 20, 2016
Gary Rodriguez
Ansel Adams is a renowned photographer from the mid-1900s that is a huge inspiration to me. His landscape photography is the epitome of what makes a good "wallpaper". One of my favorite images is "The Tetons and the Snake River," (1942). It captivates the earth entirely showing its beautiful mountains and rivers and landscapes that look endless. Its extensive depth of view gives it a clarity that helps the viewer imagine themselves in that area, with full immersion. It shows a beautiful contrast from the dark clouds above the mountains to the calmness of the river, illustrating the diversity not only on earth, but in life. As the sun becomes brighter from left to right, it gives a calming tone showing that life is limitless and how there is sunshine even in dark clouds.
Stephanie Perez
Stephanie Perez
Daniel Hernández-Salazar, "Encuentro de dos mundos, 1492–1992" ("Clash of Two Worlds, 1492–1992")
21 July 1992
Gabriella Feingold
This photograph was taken by Perry C. Riddle, a photographer for the Chicago Sun Times during the 1968 Democratic Party Convention. The country had been split between people who were for the war in Vietnam and those who were against the war in Vietnam. The Youth International Party and the Mobilization Committee to End the War in Vietnam had been planning to hold a youth festival in Chicago to correspond with the dates of the Democratic National Convention. Ten thousand demonstrators crowded the city to protest the war in Vietnam and faced twenty-three thousand police officers and National Guardsmen because the Mayor of Chicago at the time, Richard Daley refused to grant the parties the right to protest legally. I chose this photograph because it reminded me of the current rift in society. It reminded me of the peaceful and not-so peaceful protests going on right now throughout the country, and I felt like this photo really captured the way that EVERY American, regardless of who they voted for, is feeling right now.
Edwin Gonzalez
David Say
Ryan McGinley, "Red Beetle"
2015
This photograph is one of my favorites, mainly because of the narrative. The paleness of the model's skin presents the highest contrast in the image, bringing the eyes directly to her body draped onto this rusted red beetle. . . in the middle of a swamp. The environment is bundled up in muddy green, blue and brown hue that melts together harmoniously. When viewing this image, the audience can look around at the setting, from the dead trees in the swamp to the live trees in the mountain, but no matter where you look, your eyes automatically advert back to the subject and the beetle. As a film major, I love art that evokes thoughts and a story-line. How did the car get there? How did she get there? At the end of the day, it leaves the audience to conjure up their own story and plot. That to me, is admirable.
Linnea Bassett
Linnea Bassett
Gregory Crewdson, "Untitled" for the series "Twilight"
2002, chromogenic print
Gregory Crewdson, born in September of 1962, is an American photographer known for his elaborately staged, thought provoking photographs of people in the midst of living. I chose this image from his Twilight series because I am always captured by images that depict peoples daily life and emotions. This image gave me the instant feeling of anxiousness. It brought forth in my mind the idea of a mother, already in her night clothes, waiting for her child who is late. Or could she be a wife waiting for her husband, but knowing very well he's in another woman's bed. The lighting in this image strike these ideas home. The tungsten light specifically hitting the woman's emotional face and her arm, raised as if longing for something. The light also specifically hitting the window revealing the emptiness of the world outside of her room, showing whatever this woman is hoping for is no where near, confirming her anxiety and worries.
We are all way too familiar with these exact instances and feelings. We all know what it is like to wait for something that is not coming. We sometimes even wait knowing for a fact that what we wait for is not coming. It is truly beautiful how this image can explain so many emotions and happenings in just one still shot.
Giovanny Chavez
This image by Henri Cartier-Bresson demonstrates the life of Mexican people. Although not rich, they still find a way to make some money. The photograph is in black and white, however the sun's reflectance on the violin case and string are noticeable. The child on the ground seems sad while the man with the violin looks passionate about music. This image was inspirational because it shows how here in America we have many things that we do not appreciate. The children are perhaps hungry and do not have money to eat, we have food everywhere here. Sometimes we say we do not want that when these children would love to have that food, we do not want. The man is also a key component in this photograph, perhaps the face of the image. As a musician, he may be passionate about what he does. The man may also need to bring home money and does so by making music.