after "1 image 1 minute" - revisiting one photograph at a time and it's impact on the viewer.
Friday, May 27, 2016
Daniel Suarez
Monday, April 25, 2016
Alexis Ping-DiFiore
Jake Dobbs
This is a photo that should never have been taken. Neil Young is difficult to photograph outside of concert. For Lynn Goldsmith he was impossible. Goldsmith made photos with countless music acts from the 60s to the 90s, but Young was seemingly unattainable. After a decade actively trying she decided to drop the desire. Goldsmith went to a secluded California desert health spa to help quash it, only to run into Young, in the flesh. Call it fate, random chance, universal forces, Divine Intervention, etc. However Young went by an assumed name, clearly wanting to keep his anonymity safe. Goldsmith couldn't break that by asking for a session. After days of photographic desire brewing, intensified by proximity, on her way to leave the spa she creeped up on Young, made this photo from around a corner.
Caroline Laudon
This picture reminds me of a lot of my different travels in my life – to look at the world through a window of a car or an airplane, heading somewhere else. This photo makes me feel motivation and urge of moving on to new adventures. My move across the world – was a whole new type of journey for me, while leaving friends and family behind. Explore the world of my own, somewhere that was unfamiliar for me. I bought my first real camera just before the journey. I wanted to capture and share every moment with the loved once at home. I had no idea what to expect out of this more then it would be a beginning of something new. This picture for me symbolizes a beginning of something new, a beginning of a life journey – a new path. Where one path ends, another begins!
Wednesday, April 13, 2016
Chris Bell
Tuesday, April 12, 2016
Emily Pierce
Emily Pierce
Steve McCurry, “September 11, 2001”
2001, digital
Steve McCurry was one of the first photographers allowed access to the wreckage of the September 11th bombings in 2001. The images he created convey the solemnness of the event, giving respect to the tragedy that was faced. This image shows a solitary staircase, enveloped in a soft golden light coming in from the windows. The color and quality of the light gives it an almost angelic feeling, as if the building itself followed the people that were in it into the afterlife. The debris left everywhere adds to this feeling, adding a more somber tone to the almost happiness created by the light.
Megan Lysholm
I chose Francesca Woodman's "Space2" primarily because the image reminds me of the short story "The Yellow Wallpaper," by Charlotte Perkins Gilman. The story of a woman who goes crazy after being restricted to bed rest as a cure for her hysteria, she begins to see a woman hiding within the stripes of her yellow wallpaper. Woodman's image speaks to the insanity a woman experiences when she is confined by her gender. By covering her face and a portion of her legs, Woodman minimizes her body to a mere shape, accentuated by the floral pattern of her wallpaper covering. As such, the image becomes a study more of form than of sexuality, simultaneously commenting on and minimizing her femininity. Shot in black and white, and in an aged and rundown house, the image strikes a timeless chord.
Monday, April 11, 2016
Valeria Zevallos-Guizado
1934
This photograph seems very forward, man with a llama, nothing really out of the ordinary. But when I see this picture I see my culture, where I came from, and something that reminds me a little bit of who I am. I am Peruvian, born and raised, and that is what inspired me about this photograph. I go to Peru once a year but last year was the first time I was able to visit the famous wonder of the world, Machu Picchu. Martin Chambi, the photographer, is also Peruvian and all of his photographs are from the city of Cuzco, Peru. He grew up taking pictures by the mine that his dad worked for and eventually discovered his passion for photography and decided to photograph the most beautiful parts of his country. That is what really caught my attention from this photograph, it could be a man a llama, but to me it means way more.
Anna Sellhed
Anna Sellhed
Dorothea Lange, "Hands" (Maynard and Dan Dixon)
1930
Love. The unbreakable bond between a man and his son.
This is the first thing that comes to my mind when I see this image.
The composition of just seeing the tiny body of the child, and the hands of the man without seeing their faces creates a more intense image. Because then you are able to create your own vision of what is really happening. Are the child crying and the man comforting him, or are they laughing together?
This is one of Dorothea Lange specialties, documentary photography.
The image was shot in 1930, during the Great Depression, and therefore it is shot in black and white, which enhances the feeling of the desperation that people were living in during this time. Even if it had been shot today I think that it still would be a stronger image in black and white, than if it had been in colors.
John Bedikian
Hiroshi Sugimoto, "Lightning Fields 236"
2009, Gelatin silver print
"Ultimately, we know deep inside that the other side of every fear is freedom," Marilyn Ferguson.
It is overcoming that fear of failure that creates success. It is allowing what brings many misfortune, to bring you prosperity. To most photographers, negatives destroyed by static electricity are undeniable failures. To others it breeds thoughts of revolution. Using that very failure, not to destroy artwork, but to create it. To use the stormy waves Life hurls at you and steer your ship towards safety. For one to look not at what happened, but what can ultimately happen.
They say life is 10% what happens to you, and 90% how you react to it. So it's never too late to begin turning the tides in your favor.









